Grand Piano improves and simplifies the earlier pianos.
Macro | MIDI CC | Name | Description |
1 | 41 | Brightness | Affects filters, resonance, exciters, and attack profile. |
2 | 42 | Dynamics | Changes the loudness of quiet notes. Use this to quickly adapt the instrument to fuller arrangements or your playing style. |
3 | 43 | Hammer | Controls how much the hammer sound contributes to the overall sound, similar in effect to placing microphones closer to the hammers. It also affects how the string is excited, and how the power dissipates. |
4 | 44 | Soundboard | A delayed resonance from the soundboard that adds volume to the sound. |
5 | 45 | Ring decay length | Lets the strings ring for longer when sustained. |
6 | 46 | Compression | Uses a waveshaper with compensations, to introduce harmonic distortion to the strings. |
7 | 47 | Body | Selectively mutes higher frequencies, emphasizes others, and allows some broad-spectrum resonance as if the piano lid is closed. |
8 | 48 | Reverb | Controls room ambience and some of the ring-out characteristics. You might want to reduce this to zero and use your own reverb. |
Grand Piano 2021 was included in Surge XT versions before 1.3
To find it, navigate to John Valentine > Keys > Grand Piano 2021.
This patch simulates a string using the Karplus-Strong algorithm, excited by a hammer and finished by sustain pedal and damper. It's responsive to velocity, sustain, and eight other macro controllers that define the characteristics of the piano:
Macro | MIDI CC | Name | Description |
1 | 41 | Resonance | Emphasizes a specific frequency band for each note. |
2 | 42 | Brightness | Affects filters, resonance, exciters, and attack profile. |
3 | 43 | Tuning age | Consistently detunes strings that contribute to each note, to mimic how a piano sounds if it is not regularly tuned and maintained. |
4 | 44 | Honky tonk | Precisely detunes the string pairs/multiples of each note. |
5 | 45 | Quietest force | Changes the dynamic range of the instrument. |
6 | 46 | Hammer | Controls how much the hammer sound contributes to the overall sound, similar in effect to placing microphones closer to the hammers. It also affects how the string is excited, and how the power dissipates. |
7 | 47 | Damper return | Controls how much the mechanisms of lifting a note or sustain contribute to the overall sound. Not suitable for very fast playing. |
8 | 48 | Reverb | Controls room ambience and some of the ring-out characteristics. |
Typically these macros are set once at the start of a performance, rather than adjusted during the performance, because that's how a real piano is configured.
The piano responds well to articulations. Because the sound is synthesized rather than sampled, expression is continuous rather than banded or stepped like sampled pianos. This has other advantages: you don't need the storage and memory to store samples, and the sound is adjustable in Surge, to give the characteristics you want, whether piano-like or divergent. The macros above are designed to give the adjustments that I foresee are most needed for a wide range of piano types and repair conditions.
This demonstrates the dynamic range of the piano, across a range of notes and playing styles.
This demonstrates a modified piano, with emphasis on hammers, and fast decay of the resonances. All other sounds are made with custom patches on Surge.
The piano here is not the star of the show, but provides a steady accompaniment.
Grand Piano 2021 (Accompaniment) was included with in Surge XT 1.2
To find it, navigate to John Valentine > Keys > Grand Piano 2021 Accompaniment.
This piano works like the Grand Piano 2021 patch, with a clearer sound to help it mix well with other instruments, and configuration options to suit a regular perfect piano.
It's lively to play and responsive to touch, so the Quietest force macro, along with gain control, can help make playing more uniform, or lift the quieter notes above a noise floor and bring your note velocities into the useful headroom of your mix.
Macro | MIDI CC | Name | Description |
1 | 41 | Brightness | Affects filters, resonance, exciters, and attack profile. |
2 | 42 | Quietest force | Increase this for a louder sound and narrower dynamic range. |
3 | 43 | Hammer | Controls how much the hammer sound contributes to the overall sound, similar in effect to placing microphones closer to the hammers. It also affects how the string is excited, and how the power dissipates. |
4 | 44 | Ring Boost | Sounds like the microphone is placed closer to the ringing parts of the strings. |
5 | 45 | Ring decay length | Makes the strings ring for longer when they remain undamped. |
6 | 46 | Damper return | Controls how much the mechanisms of lifting a note or sustain contribute to the overall sound. Best suited to slow playing. |
7 | 47 | Body | Introduces resonances for the instrument body. |
8 | 48 | Reverb | Controls room ambience and some of the ring-out characteristics. |
The piano here is the main focus of the piece, with a variant for the solo. Other instruments are our Cello 2021 and synth string patches, with some bass from a variant of the Nylon Acoustic Guitar.